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The Polymer Arts – Spring 2013 – Stories in Wall Art

Spring 2003 The Polymer Arts

 

Way over a year ago, Suzanne Ivester and I met for the first time at Fandango,  the Orlando Area Polymer Clay Guild’s yearly retreat. I had an idea for an online polymer clay magazine and Suzanne has excellent writing and editing skills. A plan was created and we began gathering artists for our first issue titled Polymer Portfolio  - Wall Art. 

We received such a fabulous response from a large group of wonderfully talented artist, sharing photos and informative answers to our questionnaire. It was a great deal of fun and we were looking forward to a series of themed additions of Polymer Portfolio. We saw it as an informative reference publication rather than a project oriented magazine.

After a year and a half , much thought and a lot of soul searching, Suzanne and I decided that the time and commitment involved were more than either of us wanted to continue to contribute. But most of all, I decided that the technology was moving way too fast for me and that the material that we’ve gathered would be better off in the hands of a specialist.

So we asked The Polymer Arts Publishing Director and Editor-in-Chief Sage Bray if she would be interested in publishing the material that we’ve gathered. I mean come on…look at what she’s accomplished with her dream magazine. Both Suzanne and I were determined to share the wealth of information and highlight the artists that shared it with us and are so pleased that Sage agreed and we can rest easy that everything is in good hands.

We begin with the first article Stories in Wall Art. Each of artists that Suzanne and I chose have stories to share with their polymer clay wall art and are a perfect fit for this themed issue of TPA, Stories & Symbolism I can’t wait for you to see the lovely art and the wonderful article that Suzanne penned.

Thank you Sage, and thank you to the artists featured in this issue, Maureen Carlson, Gera Scott Chandler, Edgar Hernandez, Layl McDill, (cover art) and Marisol Ross for their time and for sharing their talent with us. By the way, I’m thrilled that Layl’s fabulous “Think How Books are Like Birdhouses” made the cover.

A special thank you to my partner in this adventure, Suzanne Ivester.

Now go order the issue…you’ll love it.

Fandango! Orlando Area Polymer Clay Guild

I’m glowing (no pun intended ) to be teaching at OAPCG’s Fandango this year, May 2 – 6th. I’ve so enjoyed attending and demonstrating at this event in past years, so being able to teach is just delightful.

I’m going to be combining a little bit of fun to make canes, adding a bit of sculpting and then throwing in a cool closure technique. I’ll also be showing you how I contour the design to finish the edges nicely, it’s a technique I use in many of my pieces. So bring your favorite canes and your smile, we’re going to have some fun.

I’ve been holding this closure technique since last year. This project was designed for Fandango and I haven’t shared it anywhere else. You can use this closure in so many other ways, I made this cat using the closure to create an articulated head and tail. It’s simple and easy to do.

My fellow instructors are Suzanne Ivester and Syndee Holt. Plus this year they’ve added pre-classes on Thursday with Penni Jo Couch and Linda Hess, so I hope you  come on down to beautiful Lake Yale and join us for a fun filled four days.