I’ve been playing around with this technique and I’d like to share with you. The picture above is the bracelet from yesterday’s post. I’ve fixed her face.
The picture below is my daddy’s prototype for a hair color box. I didn’t realize until this morning that I was copying my father. It’s signed on the bottom of the box, E. Lamar Simpson, 1950, the year I was born.
It sits on one of my book shelves in my studio. I love it when it draws my attention like it did this morning. People always ask an artist where they get their inspiration. I’d have to say, everything I have ever seen. I think it is all stored and show itself when you are ready.
My Dad did a weekly cartoon for our local paper and I’d spend time watching him as he drew.
I wasn’t thinking of this box when I drew my girls. I wasn’t looking at it, but the technique is amazingly the same.
I began covering my bracelet with black clay. I layered the black with three rectangles of white equal distances apart. On the first bracelet I made, ( Can You Guess?) that was all I did. This one I added pieces of my zentangle canes.
Next step is to bake them. When they were completely cooled, I drew on the white clay. I used a black Micron Pigma pen. Size 01. For the lips I used red.
I always use this pen to sign my work and heat set it with a heat gun, being careful not to burn the clay. There was too much surface to cover with the heat gun (or maybe the truth is I just don’t have the patience) and when I wore it for a test run, the girl in the picture above had her lips smear. I sanded the bottom half of her face and redrew it with the pen.
This time I preheated the oven and put it back in for 5 or 6 minutes. That should take care of heat setting it evenly.
However, I would suggest, if you are happy with a part of a drawing, go ahead and heat set it with your heat gun. If you don’t, you run the risk of smearing it as you move on the the next section.
That’s it. It you use this technique, I’d love to see what you come up with. Leave me link in the comments.
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